Drawing of Sweet Maryse — ink and pencil.
Why are energy bills rising faster in the UK than anywhere else? Illustration reuse in the New Statesman [original AD for The Economist: Graeme James]
More planty shapes—this time from inside the house. Mostly ink.
Ink drawings at 30x30cm. Shapes from the front of the house, the side, and at the back. The last of the Belarusian ink. I loved that ink.
This is an old one I rediscovered—a montage (non-digital) of cut-up bits of watercolour paintings—made when I was still living in Jakarta.
It was part of a set of illustrations for a World Wildlife Fund book, but was never actually used in the end.
Sweet illustration job for Road & Track magazine—with big thanks to Cassidy Zobl.
This issue is themed ‘handmade’, and the idea was to create illustrations which depicted the two cars as if captured in a sketchbook. Everything was indeed handmade but some extra splashes and marks, and that fold down the middle of the page in the first one, were added digitally.
Ink and pencil at about 40x40cm.
Albert Finney as Arthur Seaton in ‘Saturday Night Sunday Morning’. The bit where he’s trying to make conversation with his dad, but his dad just isn’t listening.