Gouache, white pencil, regular pencil, gel pen and ballpoint pen
Spring 2020
El Matador
This one had a long gestation period. I drew the figure and the foreground plant when I still lived in Osdorp, sometime in 2016 . Then I came across it the other day and realised what it really needed was a bull.
I and I
Double selfie across time. This is number 6 in my ‘Date night‘ series—drawings of people I’d love to spend a few hours with. Imaginary meet ups with unlikely people across time.
We all remember Charlie
Double portrait of Charles Darwin and Alfred Russel Wallace.
‘We all remember Charlie‘. This is number 5 in my ‘Date night‘ series—drawings of people I’d love to spend a few hours with. Imaginary meet ups with unlikely people across time.
Shiver for me now
Here we go. Leadbelly and Robert Johnson. I’m not sure if these two ever met, but they do here. I love Leadbelly. When I had to have my appendix out in a hurry a few years back, all I could think about was listening to Leadbelly again. Anyway.
‘Shiver for me now’. This is number 4 in my ‘Date night‘ series—drawings of people I’d love to spend a few hours with. Imaginary meet ups with unlikely people across time.
Yuval Noah Harari
Chomsky can blast it out at will—v2
A private commission reworking of ‘Chomsky can blast it out at will’
Marietta Magazine
Cover illustration for Marietta Magazine: Fall 2019.
Big thanks to GI Smith.
Schiavi uniti d’America
Cover illustration for this week’s Internazionale. Big thanks to Maysa Moroni.
Kenneth Williams
Kenneth Williams as Julius Caesar in Carry on Cleo—etching on perspex. Originally I thought I’d do this as a drypoint print, but I liked how the perspex looked with the ink in, so I left it like that.
In an ideal world we would see a Sid James as Mark Anthony in Carry on Cleo next to this Kenneth Williams as Julius Caesar in Carry on Cleo.