A pencil, ink and charcoal drawing of someone drawing at the Open Draw in Amsterdam, which Gail used to run. But not anymore.
Edmundo at it again
This is Edmundo at it again. This time in the Starbucks at Amsterdam Central Station. If you’re drawing someone who’s moving, you just need to find the position they keep returning to. Then concentrate on that.
This is drawn in pencil, graphite, gel pen, biro, and grey colour pencil.
(Click for a closer look).
Edmundo on the job
A drawing of Edmundo drawing. This was in a restaurant at the Zaanse Schans (on Gail and Dudley’s combined birthdays). People are particularly good to draw when they’re also drawing. Their minds are on their drawing, so they are quite ‘real’ for a change.
Drawing made in ink, pencil, gel pen and graphite. The yellow background is with one of those highlighter pens, but it ran out towards the end, which is why it’s a different yellow on the right.
Kalverpolder
Quick brown ink (plus grey pencil) sketch of the Kalverpolder, near the Zaanse Schans.
IJmuiden sketches
Two ink and pencil sketches from Saturday’s session at IJmuiden, Amsterdam, with Anne Rose at the Haarlem Urban Sketchers.
Life drawing
Pencil, pen and coloured pencil sketch from Sunday’s life drawing at Cinetol.
On the way to Haarlem
This is drawn from the roundabout at Zaandammerweg, in Assendelft, which is on the way to Haarlem, if you’re cycling from Wormerveer, which I was that day.
Made mostly in that fantastic Cobalt Blue fountain pen ink by Graf von Faber-Castell, with some lines and smudges added in purple pencil. The ink is supposed to be a dark rich cobalt blue, but when you dilute it right down, or dab it off when it’s still wet on the page, it seems to go much more purple, even pink. It’s the loveliest ink I’ve ever handled.
Lifting bridge at Wormerveer
This ink and wash sketch, with red pencil and black ink pen, was drawn really quickly in the near-dark outside Café Batavia in Wormerveer. At the time I felt it was a bit unfinished but it turned out to be one of my favourites. It has a sort of Japanese calligraphy look to it, which I like.
Westerpark yesterday
Ink painting of Westerpark in Amsterdam, yesterday. Painted in Cobalt Blue fountain pen ink by Graf von Faber-Castell—my favourite ink ever. Available as a print here.
Bluegrass
This painting is a close-up of a piece of ground I found in the sand-dunes at Heemskerk, painted (mostly) in Asa Blue fountain pen ink.